In conjunction with MODFEST 2012, the Frances Lehman Loeb Art Center opened up Marco Maggi’s Lentissimo exhibition on January 20. Born in 1957 in Montevideo, Uruguay, Maggi’s style evokes elements of the Dada era. He works with ordinary, mass-produced materials to create mixed media installations, wall-hangings and sculpture-like displays. Maggi does much of his work in New York and designed the exhibition (displayed until April 1) specifically for his Vassar show.
Lentissimo, is Italian for ‘slow’; it also references a musical tempo. This title is apt: the whole show uses size, scale, space and color to create depth, movement and contrast.
Lentissimo occupies three rooms, a yellow, blue and red room. There is also an upstairs display. Each room includes a yellow, blue and red installation of stacks of paper laid in a grid format. These 84x84 installations grab your eye, enticing you to observe each piece from all angles.
There’s a bit of history behind the Laudian frontal embroideries with cross and keys at St. Peter’s Church in Lithgow, and the kneelers and altar hangings made with silk and gold threads at Grace Church. After Erica Wilson died this past December—she is credited for reviving needlework in the US and globally—her obituary noted, “In 1954, she was recruited by a visiting American, a well-to-do woman who wanted to start a needlework guild in Millbrook, NY.” ( NY Times,12/13/2011”)
Needlepoint cushion for priest's chair at St. Peter's by Margaret Parshall and Guild
Set of embroidered silks for the altar at St. Peter's by Margaret Parshall and Guild
Modern music, although challenging to the ear, is much more interesting to listen to in vivo than on WQXR especially when an orchestra with 35 strings, such as the Vassar College Orchestra, brings it to life. Vassar’s Modfest creates a wonderful venue for music lovers to experience the testy ground of contemporary music.
Horsekeeping by Roxanne Bok, Twin Lakes Press, 2012
Reviewed by Kevin T. McEneaney
What happens to a neglected farm? Roxanne Bok has an optimistic answer, as well as the proof of vital transformation. She and her husband bought a run-down horse farm with a collapsed barn, derelict fences, and ponds degenerated into marshland; they have transformed it into a thriving horse farm in Salisbury, Connecticut. There was a time when people of responsibility and vision rehabilitated warehouses in Soho, converting them into lofts during the seventies; during the eighties, neglected old brownstones were reclaimed in many cities; in the nineties, decayed waterfronts along the East Coast were rejuvenated as recreation and tourist nodes.
Lisa Dellwo by Robert WarnerThe Red Devon in Bangall is exhibiting 25 photographs by Millbrook photographer Lisa Dellwo depicting rural eastern Dutchess and stark close-ups of seasonal produce grown by the men and women who farm the Hudson Valley and supply the Red Devon with ingredients.
After beginning a series featuring rustic images of locally grown fruits and vegetables in 2009, Dellwo linked up with her friends, Red Devon owners Nigel and Julia Widdowson, for an art show honoring Hudson Valley farmers and gardeners that will run through March.
John Cariani’s new play Last Gas will receive a reading this weekend by the Half Moon Theatre Company. Hudson Valley theater-goers may remember Cariani’s quirky and romantic off-Broadway hit, Almost, Maine, that Half Moon produced in November, 2010.
Since its off-Broadway premiere, Almost, Maine has become one of the most frequently produced plays in the United States. It has had more than 70 professional productions and nearly 1,000 non-professional productions, and has been translated into ten languages.
Gordon, Jaimy. Lord of Misrule. McPherson and Company, 2010.
Reviewed by Kevin McEneaney
At the race track Lady Luck is never good enough. You need divine intervention to stand on the winner’s line with a smile. Or, as Gordon says in the words of old Medicine Ed, “I tell you a secret, horse racing is not no science. Some of em tries to make it a science, with the drugs and chemicals and that, but ma’fact it’s more like a religion. It’s a clouded thing. You can’t see through it. It come down to a person’s beliefs. One person believe this and the other person believe that. It’s like the National Baptists bandage and the Southern Baptists use liniment, you see what I’m trying to say? Nobody exactly knows.”
“Books are my life,” Bradford Morrow said in a recent magazine interview. Not surprising for a man who has had two books published in the past year, is a professor of literature at Bard, and is the founding editor of Conjunctions magazine, now in its 30th year.
Broadway on a budget may seem like an oxymoron, but with a little research, a little luck, and some careful planning, the best of the Great White Way is within your reach this month. Two substantial discounts are currently available for the budget-conscious theatre lover.
Standing room only took on a new meaning Saturday afternoon when over 200 people crammed themselves into Rhinebeck’s Oblong Books to hear Annie Liebovitz read from her latest book Pilgrimages.
To qualify as a superstar today you must have been photographed by Annie Liebovitz. Born in 1949 in Connecticut, she began taking pictures on a trip to Japan with her mother after her sophomore year in college. In the early 70’s Jann Wenner named her Rolling Stone’s chief photographer. In 1975 she was the official photographer for the Rolling Stones world tour, an experience she described as harrowing yet amazing.”